Rafael Anton Irisarri New York, New York
MANAGEMENT & BOOKINGS:
ELISA@FOLKWISDOM.NET
MUSIC SYNC & LICENSING:
SIMON.BALLARD@MUTE.COM
MASTERING: WWW.BLACKKNOLL.COM
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Everywhere at the end of time
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supported by 162 fans who also own “At First Touch”
Actually astounding and emotionally moving, creating a community that I have been proudly a part of for 2 years
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Stasis Sounds For Long-Distance Space Travel
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supported by 157 fans who also own “At First Touch”
As I drift away from the Earth and all its chaos, its gleam reduces to a speck in the vast cosmos surrounding me. I close my eyes and take my solace among the ocean of stars.
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Everywhere, an empty bliss
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supported by 144 fans who also own “At First Touch”
Just imagine if these outtakes made it into EATEOT, the project would've been over seven hours! I love how "I Might Be Vanishing" is a stark contrast from other tracks, being only nine seconds.
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The Cloud Machine
by Andrew Heath
Inspired by the simple innocence of his own childhood, Andrew Heath composes soothing drones, rich in texture.
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The gorgeously minimalist “boat” blends long, sustained major chords with the sound of lapping waves.
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Re-Cartographies
by Luis Miehlich
A combination of looping, spacial effects, and modular synthesis turns modern classical sounds into submerged, haunting ambient.
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supported by 127 fans who also own “At First Touch”
Mesmerizing explorations of drone and sonic stasis. Best composition 4:10 featuring japanese ambient guitarist Hakobune.
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